{"id":30,"date":"1994-01-20T22:31:31","date_gmt":"1994-01-21T04:31:31","guid":{"rendered":"http:\/\/paulcremoux.com\/?p=30"},"modified":"2026-02-20T14:09:03","modified_gmt":"2026-02-20T20:09:03","slug":"tapete-odabashian","status":"publish","type":"post","link":"https:\/\/paulcremoux.com\/en\/1994\/01\/tapete-odabashian\/","title":{"rendered":"Juxtaposition Rug"},"content":{"rendered":"<p><strong>DESIGN DESCRIPTION<\/strong><\/p>\n<p data-start=\"328\" data-end=\"439\">Yuxtaposiciones explores sustainability through material craft, environmental data, and social recognition.<\/p>\n<p data-start=\"441\" data-end=\"709\">Originally conceived for the exhibition <em data-start=\"481\" data-end=\"528\">\u201cTapetes\u2014Anudando historias, enlazando ideas\u201d<\/em> at the Franz Mayer Museum in Mexico City and later commercialized through <em data-start=\"603\" data-end=\"625\">El Palacio de Hierro<\/em>, the rug transforms its own production process into a visual and ethical statement.<\/p>\n<p data-start=\"711\" data-end=\"1039\">At first glance, the composition appears as a restrained monochromatic field interrupted by colored woven inscriptions. These inscriptions are the names of the artisans who participated in its fabrication\u2014an intentional gesture to acknowledge authorship and give visibility to the weavers as integral contributors to the design.<\/p>\n<p data-start=\"1041\" data-end=\"1275\">The pattern itself operates as a diagram. Each modular block represents a quantified percentage of CO\u2082 emissions generated throughout the production chain, turning the rug into a graphic explanation of its own environmental footprint.<\/p>\n<p data-start=\"1277\" data-end=\"1567\">Research revealed that the greatest CO\u2082 impact does not occur during transportation, dyeing, or weaving, but in the production of feed for the sheep supplying the wool. By incorporating leftover wool from previous Odabashian productions, the project reinforces a circular material strategy.<\/p>\n<p data-start=\"1569\" data-end=\"1691\">\u201cYuxtaposiciones\u201d positions design as an intersection of environmental awareness, social acknowledgment, and formal rigor.<\/p>\n<p style=\"text-align: left;\"><strong>Design and Research:<br \/>\nPaul Cremoux W.<br \/>\nRug Weaving and Materials:<br \/>\nOdabashian Rugs,<br \/>\nExhibited at &#8220;El Palacio de Hierro&#8221; department Store.<br \/>\nMexico City, MEXICO.<\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>DESIGN DESCRIPTION Yuxtaposiciones explores sustainability through material craft, environmental data, and social recognition. Originally conceived for the exhibition \u201cTapetes\u2014Anudando historias, enlazando ideas\u201d at the Franz Mayer Museum in Mexico City and later commercialized through El Palacio de Hierro, the rug transforms its own production process into a visual and ethical statement. At first glance, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Juxtaposition Rug - PAUL CREMOUX studio<\/title>\n<meta name=\"description\" content=\"Projects by PAUL CREMOUX studio\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Juxtaposition Rug - PAUL CREMOUX studio\" \/>\n<meta property=\"og:description\" content=\"Projects by PAUL CREMOUX studio\" \/>\n<meta property=\"og:url\" content=\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/\" \/>\n<meta property=\"og:site_name\" content=\"PAUL CREMOUX studio\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/es-la.facebook.com\/PaulCremouxstudio\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/es-es.facebook.com\/PaulCremouxstudio\/\" \/>\n<meta property=\"article:published_time\" content=\"1994-01-21T04:31:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-20T20:09:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/paulcremoux.com\/wp-content\/uploads\/2010\/09\/09.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1650\" \/>\n\t<meta property=\"og:image:height\" content=\"1275\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Paul Cremoux\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Paul Cremoux\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/\"},\"author\":{\"name\":\"Paul Cremoux\",\"@id\":\"https:\/\/paulcremoux.com\/#\/schema\/person\/a58dde39fe57e001288465ae06ad8c81\"},\"headline\":\"Juxtaposition Rug\",\"datePublished\":\"1994-01-21T04:31:31+00:00\",\"dateModified\":\"2026-02-20T20:09:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/\"},\"wordCount\":748,\"publisher\":{\"@id\":\"https:\/\/paulcremoux.com\/#organization\"},\"articleSection\":[\"Projects\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/\",\"url\":\"https:\/\/paulcremoux.com\/1994\/01\/tapete-odabashian\/\",\"name\":\"[:en]Juxtaposition Rug[:es]Tapete Yuxtaposiciones[:] - 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